The Alter tile collection places an emphasis on nature and authenticity, celebrating different forms of exquisite salvaged oak that have been processed and treated. The final result is a perfect tactile balance, unusual versatility and a warm, natural charm that nicely adapts to contemporary style.

The colours and sizes of the Provenza Alter collection are matched with those of the Ego collection. This provides additional opportunities for creative combinations, to meet the continually evolving stylistic demands of contemporary design.

The design of D60 takes inspiration from natural stone. In two warm tones and varied vein patterns, the tile collection is ideal for rustic interiors.

The “slate” natural stone is the inspiration for the Highline tile collection, sophisticated and elegant but at the same time strong and warm. High technology made possible to create elaborate graphics and chromatic features that reflect the effect of the natural passage of time on stones.

This is the story of a journey...
A magical journey into the fascinating Japanese culture, marked by harmony, dimensions that mute as time goes by. A culture characterized by many contradictions that identify the uniqueness and elegance. Balance between fast-paced innovation and traditions. In Japan, arts, traditions and rituals coexist harmoniously with technology, progress together with the speed in which it all happens. Knowledge is the key word that has marked the creation of this series. Ours was a love at first sight. From the vision of a house in the countryside near Kyoto, externally coated with burnt wood led to a charming and engaging emotion then fueled by the discovery:
Yaki or Shou Sugi Sugi Ban is an ancient Japanese technique, which consists in the carbonization of wood planks, making them waterproof and fireproof, still used in modern architecture.
The elegance of the Japanese master craftsmanship has the ability to make valuable materials which are poor, is definitely one of the large differences between our culture and theirs.
The result of this process has us excited and to say the least, fascinated.
We reinterpreted the fruit of this technique through Yaki in four different colors and two different surfaces, an opaque and a resin on a format of 15x120cm.